本文已發表於：
上海音樂學院主辦之「首屆『兩岸三地』音樂藝術專業博士研究生學術論壇」發表
並刊登於：
張巍（主編）：《首屆「兩岸三地」音樂藝術專業博士研究生學術論壇論文集》，上海：上海音樂學院出版社（2015年）
2014.11.3-6＼上海音樂學院
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摘要
陳田鶴係近代中國著名作曲家暨音樂教育者，生於一九一一年、卒於一九五五年，作品涵蓋歌曲、合唱曲、器樂曲等，藝術資歷豐富完整。陳氏於一九四九年至一九五一年間，為光未然（本名張光年）作詞、冼星海作曲之〈黃河大合唱〉大部分篇章，編配鋼琴伴奏，是目前發掘到較早期、並貼近冼星海原作〈黃河〉延安首演版之鋼琴伴奏稿本。本研究乃將陳田鶴手稿與冼星海簡譜手稿作為文獻材料，考察校訂、謄譯樂譜，清楚呈現陳田鶴譜稿之內容，分別闡述其版本概況、校訂方法、版本特徵，有助於瞭解陳田鶴創作經歷，及釐清相關問題。
關鍵字：冼星海、中國近現代音樂、版本、樂譜校訂、文獻學
Research on the Editorial Process of Chen Tien-ho’s
Vocal-Piano Score of Xian Xing-hai’s
“The Yellow River Cantata”
Abstract
Chen Tien-ho (1911-1955) is a renowned Chinese composer and music educator. His vast oeuvre includes songs, choral music and instrumental music. Between 1949 and 1951, Chen wrote the vocal-piano score on the large part of “The Yellow River Cantata”, composed by Xian Xing-hai with lyrics by Guang Wei-ran. This vocal-piano score is the earliest prototype available, and its musical text is also closest to Xian’s original Yan’an version of “The Yellow River Cantata”. This research uses Chen’s manuscript and Xian’s manuscript, with the latter in numbered simplified notation, as the basic documentation. The editorial process aims at clarifying the content of Chen’s score, thus illustrates the overview and characteristics of his version, as well as the editorial process, in order to present Chen’s creative process and to clarify related issues on the musical text.
Keywords: Xian Xing-hai, Chinese Contemporary Music, Version, Music Editorial, Documentation
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