《黃河大合唱》交響合唱版手稿校訂研究
A research on revising the manuscript of
“Symphonic Cantata Version” of
The Yellow River Cantata
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本文已發表於：
「2011上海音樂學院數字圖書館國際論壇暨工作坊」
手稿研究與音樂分析論文發佈會
2011.11.26＼上海音樂學院
2012.8 修訂
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摘要
目前所流傳的冼星海《黃河大合唱》，版本眾多複雜，但似無一可認定為作品原貌，而是各異本衍生傳播。原作者修訂的「交響合唱版」，應為此作的完善階段，但原手稿中諸多疑點及後人製譜的刊刻之誤，使其無法見諸實用。本研究主要探討《黃河大合唱》交響合唱版手稿校訂之過程，及其相關發現，並檢視作品原貌在中國近代音樂史上的意義。
關鍵字：中國近代音樂、音樂版本、樂譜校訂、文獻學
Abstract
The matter on editions of The Yellow River Cantata by Xian Xinghai is confused. There are many different editions that have become popular but they are all very different to the original manuscript produced by the composer. The latter has never been passed on. The “symphonic cantata version” revised by Xian Xinghai himself should have been the final version but due to faults in the re-production on the score and many doubts (of what the composer was intended), it can not be in practical use. This research mainly discusses the process of revising the “symphonic cantata version” of The Yellow River Cantata, lists related discoveries and examine the significance of it in the history of modern Chinese music.
Keywords:modern Chinese music, arrangement, revision of sheet music, study of philology
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註：文檔為未出版稿本，僅供參考。
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